{"id":5525,"date":"2021-01-06T07:42:06","date_gmt":"2021-01-06T06:42:06","guid":{"rendered":"http:\/\/surbooke.fr\/wordpress\/?p=5525"},"modified":"2022-07-06T22:21:51","modified_gmt":"2022-07-06T20:21:51","slug":"le-crepuscule-de-shigezo-sawako-ariyoshi-editions-mercure-de-france","status":"publish","type":"post","link":"https:\/\/surbooke.fr\/wordpress\/2021\/01\/06\/le-crepuscule-de-shigezo-sawako-ariyoshi-editions-mercure-de-france\/","title":{"rendered":"Le cr\u00e9puscule de Shigezo, Sawako Ariyoshi, \u00c9ditions, Mercure de France"},"content":{"rendered":"\n

Ce<\/strong> n’est<\/strong> pas<\/strong> parce<\/strong> qu’un<\/strong> critique<\/strong> litt\u00e9raire<\/strong> a un jour consid\u00e9r\u00e9 que Sawako Ariyoshi \u00e9tait la Simone de Beauvoir japonaise qu’il faut avoir peur de la lire. Ce n’est pas non plus parce que ce roman parle de la fin de vie, et des difficult\u00e9s qui vont avec, qu’il faut s’en abstenir. Au contraire. Car dans ce roman \u00e9crit en 1972, Sawako Ariyoshi parvient \u00e0 m\u00e9langer les horreurs des derniers moments d’un Japonais de 84 ans \u00e0 la tendresse de celle qui s’en occupe. Et elle a bien du m\u00e9rite Akiko d’accompagner son beau-p\u00e8re dans sa s\u00e9nilit\u00e9. Car s’il est encore bien charpent\u00e9 avec peu de cheveux blancs, sa force physique ne le rend que plus compliqu\u00e9 \u00e0 ma\u00eetriser. Il est ainsi capable de s’enfuir de chez lui et de vaquer dans les rues de Tokyo sans s’en rendre compte. \u00c0 charge pour sa famille, et \u00e0 d\u00e9faut la police, de le r\u00e9cup\u00e9rer. Jusqu’\u00e0 la mort de sa belle-m\u00e8re, qui intervient au d\u00e9but du roman, Akiko n’avait aucune empathie pour Shigezo Tachibana. Elle ne subissait pas non plus ses acc\u00e8s de mauvaise humeur, qui \u00e9taient assum\u00e9s par son \u00e9pouse. Et avec le sourire. Ainsi fonctionnait le Japon \u00e0 cette \u00e9poque. Aux femmes le sale boulot. Aux hommes le privil\u00e8ge de penser \u00e0 leur carri\u00e8re. Mais les temps changent, surtout dans les \u00e9crits d’une autrice qui revendique son f\u00e9minisme, en nous proposant comme personnage principal une femme de 40 ans qui travaille \u00e0 mi-temps. Akiko est secr\u00e9taire dans un cabinet juridique. Un statut qu’elle a choisi, n’en d\u00e9plaise aux pr\u00e9jug\u00e9s f\u00e9odaux encore en cours au Japon, qui poussent certains \u00e0 nier l’apport de son salaire aux revenus de son m\u00e9nage. Travailler ne lui facilite pas la vie, car Akiko doit en plus se farcir l’entretien de sa maison ainsi que la cuisine pour son mari et son fils. Et m\u00eame avec l’\u00e9lectrom\u00e9nager d’un Japon qui s’est modernis\u00e9, c’est compliqu\u00e9.<\/p>\n\n\n\n

Sawako Ariyoshi nous d\u00e9crit un Japon o\u00f9 les hommes rivalisent de l\u00e2chet\u00e9<\/p><\/blockquote>\n\n\n\n

Alors quand elle doit en plus dormir \u00e0 c\u00f4t\u00e9 de son beau-p\u00e8re pour le g\u00e9rer la nuit, elle est proche de craquer. Surtout que Shigezo a d\u00e9velopp\u00e9 avec le temps deux particularit\u00e9s : avoir les intestins fragiles et porter un dentier qu’il n’a jamais lav\u00e9. Le reste du temps Shigezo a toujours faim, et r\u00e9clame en pleurant comme un enfant. Tous ces fl\u00e9aux n’emp\u00eacheront pas Akiko de d\u00e9velopper une certaine tendresse pour le vieillard. Sawako Ariyoshi nous d\u00e9crit un Japon o\u00f9 les hommes rivalisent de l\u00e2chet\u00e9. Elle nous montre un pays dont les habitants n’ont qu’une id\u00e9e en t\u00eate : apprendre enfin la mort de leurs vieux parents pour s’en d\u00e9barrasser. Il ne s’agit pas de les juger mais de constater, comme certains personnages du roman, combien le Japon a refus\u00e9 d’assumer son vieillissement et les d\u00e9penses qui vont avec. Et c’est bien parce qu’Akiko se rend compte qu’elle aussi sera un jour vieille, qu’elle s’occupe de son beau-p\u00e8re. Sawako Ariyoshi nous raconte aussi un pays obs\u00e9d\u00e9 par l’argent. O\u00f9 on se dit qu’il faut y r\u00e9fl\u00e9chir \u00e0 deux fois avant de mourir quand on voit le co\u00fbt des obs\u00e8ques. Surtout qu’on ne peut m\u00eame pas r\u00e9utiliser les cercueils puisqu’on les r\u00e9duit en cendres.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Ce n’est pas parce qu’un critique litt\u00e9raire a un jour consid\u00e9r\u00e9 que Sawako Ariyoshi \u00e9tait la Simone de Beauvoir japonaise qu’il faut avoir peur de la lire. Ce n’est pas non plus parce que ce roman parle de la fin de vie, et des difficult\u00e9s qui vont avec, qu’il faut s’en abstenir. Au contraire. Car […]<\/p>\n","protected":false},"author":8,"featured_media":18534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[77],"class_list":["post-5525","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-roman-japonais","tag-mercure-de-france"],"yoast_head":"\nLe cr\u00e9puscule de Shigezo, Sawako Ariyoshi, \u00c9ditions, Mercure de France - Surbook\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/surbooke.fr\/wordpress\/2021\/01\/06\/le-crepuscule-de-shigezo-sawako-ariyoshi-editions-mercure-de-france\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le cr\u00e9puscule de Shigezo, Sawako Ariyoshi, \u00c9ditions, Mercure de France - Surbook\u00e9\" \/>\n<meta property=\"og:description\" content=\"Ce n’est pas parce qu’un critique litt\u00e9raire a un jour consid\u00e9r\u00e9 que Sawako Ariyoshi \u00e9tait la Simone de Beauvoir japonaise qu’il faut avoir peur de la lire. 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